Public access broadcaster relies on the Cartoni P 090 for versatility and ease of use in producing public interest programming.
NORTH HOLLYWOOD— The Chicago Access Network (CAN-TV) operates five public access television stations reaching more than a million viewers in the Chicago metropolitan area. Recently, the non-profit organization began the process of remodeling its 30-year-old studios and one of its first steps was to replace its outdated camera pedestals with state-of-the-art camera support systems from Cartoni.
CAN-TV currently has four Cartoni P 090 two-stage pedestals, each capable of supporting camera/lens packages weighing up to 90 Kg. “Our old pedestals were built like tanks; they were made from heavy ferrous metals and weighed half a ton,” recalls CAN-TV chief engineer Jason Bryant. “We needed something that was stable, lightweight and easy to use.”
Bryant points out that CAN-TV provides production space as a public service and that much of its programming is produced by members of the general public with little or no professional training. Student organizations, senior citizens groups and groups for special needs individuals are among those who use its facilities. Cameras, support systems and other gear needs to be robust enough to withstand rigorous use, Bryant points out, “and yet be simple enough for everyone to use.”
The versatile, compact and portable Cartoni P 090 fits the bill. “The way that Cartoni products are laid out in terms of where the locks are, how to steer them, where the drags are, how they move, the feedback from the head…it’s all very intuitive,” Bryant says. “It’s perfect.”
The Cartoni pedestals get plenty of use. CAN-TV produces dozens of shows each week, ranging from news programs to music and variety shows to religious programming. Among its more popular shows is Chicago Newsroom, covering local news and community affairs. It was recently honored for excellence at the 50th Chicago International Film Festival Television Awards and the Best of the Midwest Achievement Awards.
CAN-TV acquired its Cartoni pedestals through North Hollywood-based Cartoni USA/Manios Digital & Film, which also provided on-site assistance with set up and a unique 5-year warranty. Manios Digital & Film National Sales Manager David Butler says that responsive support is essential for busy production operations. “CAN-TV can’t afford downtime,” Butler observes. “and we want to help them avoid any disruptions to their production schedule.”
In describing the value that the Cartoni P 090 has brought to CAN-TV’s productions, Bryant cites Senior Network, a program produced by Chicago seniors that features a wide range of subjects and issues important to older Americans. “One of the crew had a fully loaded Cartoni P 090 and was trucking it across the floor,” he notes. “That was beautiful! That’s why I got those pedestals.”
Reflecting the state of the art in camera support technology, CARTONI offers the widest product range in the industry. 79 years of know-how and experience, innovative solutions, patented technologies and the constant care of serving the professional in any shooting situation with any camera, make CARTONI synonymous with excellence in camera support. CARTONI currently exports from
Rome, its Italian
headquarters, to 65 countries in five continents, with a network of agents and
distributors serving all major international users. CARTONI’s
mission is to guarantee the cameraman the highest possible reliability, freedom
and creativity in any environment.
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ABOUT CARTONI USA
Formed in 1992, CARTONI
USA is the North American office
CARTONI fluid heads, tripods, pedestals. CARTONI manufactures a wide range of
Fluid Heads for both Video and Film applications. The company’s products
support cameras of all sizes and descriptions, from the smallest DV cameras to
the largest studio cameras, while adhering to the highest industry standards
for quality, reliability, performance, durability and features.
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