Unique pipeline for managing colour from script to screen.
LONDON—At IBC 2012, FilmLight will demonstrate its latest solutions for refining looks and managing colour at every stage in production. Several new products from FilmLight’s expanded product line will be on view for the first time in Europe, each designed to address a different point in file-based film and television workflows, and together constituting an integrated, end-to-end colour pipeline.
- Create looks on set: FilmLight’s new FLIP is a real-time image processor that allows directors, cinematographers and colourists define and refine looks before shooting begins.
- Produce high-quality deliverables near set: Baselight Transfer is a real-time, 4K dailies processing system supporting the latest digital cinema cameras, including Sony F65, Arri Alexa and Red Epic.
- Access grading tools at every stage of post: Baselight Editions brings the world’s most powerful colour grading toolset directly to editors and visual effects artists. Baselight Editions for Avid, Apple Final Cut Pro and NUKE will be on show at IBC.
- Complete projects with maximum quality, flexibility and speed: Baselight 4.3, the latest version of the award-winning colour grading software that includes new features, improved ergonomics and greater speed for enhanced productivity and creativity will be running on the industry leading combination of Baselight TWO with a Blackboard 2 control surface.